An Acoustic Evening With Eric Hutchinson at Saturn

Eric Hutchinson Timber Eric Hutchinson In 2011, singer/songwriter Eric Hutchinson finished performing one of his thrilling, captivating and soulful shows on stage in Northampton, MA and was invited to an after-party at a dance club. He reluctantly tagged along, expecting to be subjected to a night of FloRida, Pitbull and Techno. Instead, Hutchinson discovered The Basement, an all-soul dance party happening in the basement of a deserted nightclub. "The place was packed with people dancing to Marvin Gaye, The Shirelles and Stevie Wonder", remembers Hutchinson. "It was fantastic, like stepping into a time warp. I had finally found people who loved all the same classics songs I do." The night inspired him to pen his hit song "The Basement", recounting the evening. Now, Hutchinson, is recreating that magic night by presenting THE BASEMENT - a DJ dance party featuring Motown, Funk, Soul & Oldies. "I wanted an excuse to play all the amazing soul and rock & roll songs I listen to at home, but this way I get to listen on much bigger speakers" Hutchinson jokes. Expect plenty of Otis Redding, Aretha Franklin, Michael Jackson & James Brown. Bring your dancing shoes. Timber timber is a collaboration between janet simpson and will stewart — two veteran musicians who came together in that most natural of ways: in a pinch. stewart, an alabama native currently based in nashville along with the rest of the band, willie and the giant, was working on his coosa ep when it was suggested that simpson — a multi-faceted, birmingham, alabama based musician known for her work in wooden wand, delicate cutters, and teen getaway — to lend her talents to the proceedings. pressed for time, simpson came to the studio that day, spent an hour adding keys and her sumptuous voice to a few of stewart’s songs, and left to catch a plane for a european tour with wooden wand. last summer, out of the blue, stewart e-mailed simpson about writing together. impressed by stewart’s melodic gifts and easy demeanor, simpson accepted the offer. soon they began trading songs via e-mail, giving each other notes along the way. once a small batch of similarly-themed compositions made itself apparent, the two met at 2734 central recording studio in birmingham, al — working, once again, with producer lester nuby — to record their self-titled debut. though the two had been exchanging songs online, simpson and stewart did not know much about each other, much less how to go about recording their new compositions. over coffee they talked about productions they were currently enamored with, including albums by teenage fanclub, yo la tengo, d’angelo, and neil young — particularly after the gold rush. caffeinated and invigorated, the two began crafting the album — splitting the instrumental duties, keeping things simple, and embracing spontaneous moments. per stewart’s suggestion, they drafted nashville musician scott murray to add pedal steel, utilizing the instrument’s gorgeous washes of sound for atmosphere rather than staid, americana twang. as a result, timber’s self-titled ep is a study in gorgeous economy. each of these five tracks feels like a frozen moment — its protagonists on the cusp of either liberating revelations or freezing paranoia… maybe both. the lush instrumentation travels splendidly though each song, luxuriating in the open spaces while providing a counterpoint to the dramatic tension coiled within the lyrics. the listener never learns too much, but it's enough to want to hear the brief program on repeat — an urge that pays in dividends.